Category Archives: Storytellers

Author & Audience Trends (Part two)

PART TWO:

 One of the issues artists have always faced is: once an artist/craftsperson produces a work which is deemed acceptable, then there is great pressure to ‘keep doing that, more of that, and only that!’

Business tends to favor predictability and consistency. Therefore, business systems and processes tend to support (and pressure) consistent authors to create best-selling products in a self-reinforcing cycle. The good news is some authors become superstars and rich and celebraties and all they create earns money throughout the system.

The bad news is, people thoughtout the system learn to value the status quo and compete for this limited set of authors and their work. Other authors and work are ignored, dismissed, filtered out of the system as unacceptable (unless it can be packaged to compete directly with the status quo products).

And this is the main role of today’s publishing industry – to attract, collect and funnel  a few consistent, acceptable authors into the system and to filter out others. “There are too many submissions” “We need to focus on what will sell” “We are the guardians of quality”: these are common industry-related quotes I read every day at all levels of the publishing industry.

The industry has forgotten our bottom line: The author has a need to connect to their audience + audiences have a need to engage with important stories = This is the basis, the foundation, the genesis of our industry. It’s vital that we do not forget that.

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Author & Audience Trends (Part 1)

PART ONE:

Many people have one good book inside them. In fact, I’d go so far as to say that every person has at least one good story inside them. And that story demands to be beheld. It hurts us when our story remains ‘unspoken’.

When we lived in tribes, we all knew each others stories and somehow that … validated us. If we are not heard, touched, seen and understood we feel impoverished; we fail to thrive. In fact, after survival is assured, to be valued may be our most driving human need.

Ancient publishing systems worked great. Stories were collected and distributed for generations orally around campfires, chanted to the throb of drumbeats, danced to and reenacted – stories were treasured. Hunting stories were drawn on walls with charcoal and minerals. Migration stories and birth stories were carved in rock; we call them petroglyphs and pictograms. The author connected to their audience and the audience was engaged. This is the basis, the foundation of our industry. It’s important that we do not forget that.

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